#like i'm not mad just confused

[dootznbootz]

Hi. I'm cyberbullying a long dead poet because of his shitty fanfic. Enjoy. I'd love it if you joined me.

(Before you get mad at me, yes, I know Eugammon of Cyrene is an important figure and all that. I'm sick with some sort of flu. Let me cyberbully an ancient dead fanfic writer in peace.)

[m00neroni]

To be honest with you, I don't think Wolfstar fandom is precisely Jily stans enemy, so the things I am reading in my dashboard right now are confusing. Like, obviously they are both "original" ships, but why so mad about Remus/Sirius having been there and with a very important fanbase since the beginning? And where's all this animosity against R/S stans coming from J/L ones? I'm looking at you in confusion.

[pastafossa]

So I have/had two packages coming to me in the exact same period. A candle that shipped about 10 days ago via USPS, and shoes that shipped 2 days ago via Fedex. And it's hilariously just been like

USPS, taking a drag off a cigarette: right so we'll get that candle to your city, then over the course of 5 days we're gonna send it to a city 45 mins away, back to you, then to a city 2 hours away, back to you, then BACK to the 2 hour city, back to you, then we're gonna take a benzo nap for a 3 more days, maybe send your candle back to the city 2 hours away if we feel like it.

Me: ...oh. ok.

Meanwhile.

Fedex, snorting 6 lines of coke: so your shoes are in VIETNAM, gonna have those to ya in 2 days.

Me: but I - I didn't order expedited shipping or anything, how are you gonna get them to me in 2-

Fedex, bursting out of my kitchen cupboard in a puff of cocaine powder: SURPRISE BITCH, WE'RE ALREADY INSIDE YOUR HOUSE, FOUND A SPIDER, ATE THAT LITTLE BITCH ALIVE, ANYWAY GOT YOUR FUCKING DINO SKELLY SHOES HERE YA GO

Me: ...why the FUCK are you naked ????

Fedex, already streaking out of my house: SADDLE UP BITCHES WE'RE GOING TO NEW ZEALANDDDDDDD

[gazumirei]

the pressure fandom right now

[return-of-the-queen-au]

Y'know what's fucked up?

How in the storybooks we see how the dwellers who used to be the children in subcon (and if you wanna believe they're also the adults, go ahead. I like that headcanon) who were nothing but lost souls until snatcher, not the prince, snatcher came over and what seems to forcefully make them sign a contract to become his minions.

and this makes me think that the prince got his silly evil arc before meeting said souls and forcing them to do his biding.

the kids, if they remember or not, only knew that the prince disappeared one day and that's it. They probably don't know snatcher is the prince. (nor that Vanessa is the ice monster, for that matter. Unless snatcher says it with no shame, but knowing him he definitely did.)

it's hard to connect the dots if you lack context. They don't what happened to the prince and they don't know he died, they just know there's this evil ghost who eats souls and laughs about it.

all the subcon residents (again, if they do remember who they were and what was going on before the whole Vanessa-goes-crazy matter) are doomed to be stuck with some evil ghost they (think) don't know without ever knowing why they died.

for them it was just a blizzard and some scary ice monster........their boss keeps talking about as "the ice queen" and about her cookies.

[bread-is-my-life]

ermmm school doodles

[mymarifae]

i would like mydei if he was a woman, but he's not, so i don't and i hope he dies. this is actually not hypocritical at all because i have seen 500 billion mydeis across so many stories over the years. Grouchy No-Nonsense Analytical Hardened Warrior Man Who Has A Funny Way Of Showing He Cares is nothing new i am literally so bored. HOWEVER you don't usually see women in this type of character archetype - not without wayyyyyy more attempts to soften her around the edges first, at least - so it would be rather subversive and fun. but we live in the worst timeline so this didn't happen and now i have a shirtless ab-bearing man on my screen and i don't want him there

[thetardisisnotourdivision]

I am unreasonably upset about the fact that I've been forced to accept that Gabriel was a Gerald.

For context, in An Inspector Calls, Gerald Croft is engaged to Sheila Birling when he meets a homeless, struggling Eva Smith in a bar, and essentially in return for a home and money he shows her affection (ahem), then gets rid of her once he no longer has a use for her. Now, obviously this isn't a direct translation, but the essentials are - a Gerald is a character who uses another character, in return for something they need, usually masking the fact that they're using them with affection and love.

And against my will I've had to accept that this is exactly what Gabriel does to Nathalie.

Did I want to think he had potential to be better? Did I think he genuinely cared for Nathalie?? Hell, did I just really really want somebody to care about Nathalie???

Probably all of the above but the point is: he's Gerald. And I cannot - I literally can't unsee it now. Their whole dynamic in S3 is like “oh boohoo I'm sorry I wish you didn't have to use the peacock Miraculous and kill yourself over it but uh I need to use your powers” “yeah no that's fine I'm all good”. Which, given the "Gerald" theorem, I'm assuming leads to the fact that what Nathalie needed, above all, was someone to care about her - and Gabriel came along, as Sheila Birling puts it, "like a fairytale prince", and was so caring and gentle and... Yeah. She fell for him. And. Yeah he genuinely did seem to care like twice. But so did Gerald. Gerald actually admits that he did care for Eva, just not the way that she cared for him, and, uh, not enough to not just dispose of her. So he discards her anyway when she stops being useful.

Leading me neatly to my point.

He starts using the peacock Miraculous the second it's fixed, the slimy bastard, HOWEVER. It runs way deeper than that. Assuming I'm right (which I almost DEFINITELY am), then Gabriel only needed Nathalie while she was useful. She didn't stop being useful in season three - she's still scheming for him, helping him with plan after plan. It's only partway through season 5 that she officially servers ties with him, and starts to actively hinder him.

Nathalie stops being useful when she fails as Safari. And I reckon that's when Gabriel and Tomoe decided she had to go.

(It's painfully, I-was-ugly-crying-over-it obvious in Conformation that Gabriel is fully prepared to let Nathalie die - in the original storyboard, her alliance was encouraging her to sleep, and he's very obviously prepared for this moment - I've made a separate post about it that I'll link if I can find it. However, onto the next bit)

With all of this, there's one thing that sticks out to me - Nathalie didn't see any of it until it was already too late. There could be many reasons for this. But you know who would have seen through it? Whose parents were all loving and perfect until she married the wrong man? Emilie. Emilie, who left behind those videos, which on the surface look innocent, but when you look deeper look like a (love confession???????) AHEM a warning. I reckon Emilie noticed what was going on and realised that Nathalie wouldn't see through Gabriel, so she left those videos addressed to Nathalie (not Gabriel, which surely they should have been - they were about him, after all - unless they were there...) as a warning. I don't think the videos were supposed to be about helping Gabriel, I think Emilie was warning Nathalie to get the fuck out of that house, and to take Adrien with her. Because Emilie knew it'd end like this.

Yes I'm still mad ok give me a break.

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[merp-blerp]

Just thinking out loud about The Thunder Saga and everything connected to it.

I get why people are mad at Eurylochus for opening the windbag, but I don't understand blaming him for the crew getting caught by Poseidon. Sure he definitely sped up the event, but even if they were inches away from Ithaca right before that moment like they were in the original Odyssey (which seems to be hinted at with Ody saying "And I'm getting closer to you"), Poseidon would've gotten to them eventually anyway because he's a god, a major one at that. And gods get their will no matter what consistently, even if mortals try to twist it like how Ody does when opening the bag a second time. I can only assess what sagas we have currently, so I could be really wrong as future sagas come out, but I think Aeolus must've known that fact and that was the game he was playing. As if he's saying, "I'll help you, but I can't stop Poseidon with a bag. The Winions will even make it extra hard with a treasure rumor." The bag was supposed to aid the crew home, not stop Poseidon, so they would've had to deal with Poseidon anyway in Ithaca, which probably would've made more casualties because they would've brought their trouble to the whole kingdom. Remember Ithaca is on an island. Poseidon is the god of the sea, so Ithaca would be a perfect target for him to destroy because of that. But it's not his will to do that; he wants to play games with Ody to avenge his son. The only reason why mortals feel like they have a choice and can manipulate fate is because the gods like to play games; it's still their will if Ody wins a game like he does in "Ruthlessness" because it was their will to play in the first place, and they can win if/when they want to. Just 'cause Poseidon "lost" in "Ruthlessness" doesn't mean he actually did, he just let Odysseus go. For now. If his will changes and Ody gets no consequence from him it's on his terms, not Ody's. Just like with Circe, as I've talked about.

But back to Eurylochus, I adore the parallels between The Thunder Saga and The Ocean Saga. During The Ocean Saga, Eurylochus only opens the bag, not for treasure, but to give the crew closure, as we know thanks to Aeolus's "Now they wanna get the bag open so they can have closure". Especially if they were close to home, I imagine his thought process might've been that opening the bag was wrong but morally okay since the journey was almost done and Odysseus was sleeping so it seemed like it wasn't a big deal anymore in his eyes. But that's more my hypothesis. In terms of canon, his trust in Ody, which wasn't high to begin with, was dwindling, as Ody bragged about how no men died in war and then several died with the Cyclops. "Everything's changed since Polites, so". In The Thunder Saga, it's similar, as Eurylochus knows killing the cow is wrong, but they've all lost hope on getting home with their captain going to extremes to get there himself, killing them slowly like with Scylla. They know that deep down the whole time Odysseus wanted to get home himself mainly, only bringing the crew because he cared out of the kindness of his heart, and now that his heart has changed they know they won't get to Ithaca if the gods keep messing around (and they do). This post pointed out that Eurylochus was likely just trying to provide for the crew and himself in their final moments before another trap emerges and Odysseus decides to continue to sacrifice his men if he feels it has to be done again. Eurylochus isn't dumb, he knows their goose is cooked if they kill the cow, especially with Ody in his ear telling him, but they'll die either way, in the hand of the gods or Ody. They will die and not see home, but at least they can die not starving, and go on for a bit longer. They had nothing to lose. Eurylochus had doubted Odysseus this whole time and he does so till the end. When Eurylochus says, "But we'll die", it's not a plea to stay alive, it's him confirming out loud that Odysseus will not choose his men over Penelope and Telemachus. He's reaffirming to Ody that they'll die; almost like he's finishing Ody's sentence "I have to see her". Odysseus couldn't say it, but Eurylochus could since he'd known they'd died for so long already. In the live stream animatic, the crew attempting to kill Odysseus near the end of "Thunder Bringer" isn't them trying to escape their fate, but trying to bring Ody down with them so Ody won't get his choice. They've long accepted the fact that Ody isn't to be trusted and they all are going to die, but Ody is, for lack of a better word I can think of, cheating in the crew's eyes by having an out thanks to Zeus. In their view of fairness, they all have to die if they aren't getting home. It's a last attempt at a mutiny. It fails because that's not how Zeus wants his game to work, and he gets his will.

They are all puppets of the fate the gods have chosen, whether that fate benefits them or not.

(The only "exception" to the "Will of the gods" rule so far is Ody and the baby, since Jay has said it's "ambiguous" whether or not the baby is spared. If not exactly by being dropped, I'm sure he'd die some other way honestly because the gods want that. It'll probably come up again in a later saga—"ambiguous" is too cryptic of a word to use when everyone assumed he died in the first saga)

This is all just my take, by the way, no one has to agree with me.

[yikes077]

She haunts me

[shalom-iamcominghome]

hey, shalom! so i'm looking to convert and i sent an email to a local shul explaining that i'm interested in converting and that i'd like to start attending services (their website asks that you send them an email beforehand if you're gonna be attending and haven't before) but they haven't gotten back to me yet. it's only been a few days but i'm now worried they're not gonna get back to me and idk don't like me based off my email (silly i know). how much time do you think has to have passed before i should assume the email has gotten lost and i need to send a follow up email or call them? i don't want to pester them obviously and of course i understand they might be busy. i was assuming 2-3 weeks? i think i'm mostly looking for reassurance that they will get back to me in time and i have no reason to worry about it

I definitely empathize with you; I think what helps is remembering that many shuls are either small enough that it's only one person operating the domain, or they're cautious and it isn't about you, but moreso about ensuring the safety of the community.

I sent an email to the shul I go to, and it took a bit for them to get back to me. As it turns out, only one person operates the domain and is incredibly busy all the time with improving the shul, the cemetery, and organizing. I ended up getting a call from him personally where I discussed a bit of my background, which I think can be very helpful.

Because of how close shabbos is right now (I'm reading this on a friday afternoon), it might also be a conflict. You may not have sent the email anywhere near shabbos, but l-rd knows how hard it is to read email every day (one of my toxic traits, and I know it permeates a good chunk of the jewish community 😭). I'm so psyched for you, and I'm sure you're full of nerves, but it'll work out! I'd say that you are correct; sending a follow-up email after a few weeks could be a good reminder, but just know that it can sometimes just be a matter of time. I hope you hear back soon🩵🩵

[themiihem]

Deep long sigh

[midnight-mourning]

Good morning, mourning! is it possible for you to show us how you make an outline for writing a chapter sometime in the future? like what does your first rough rough draft look like?🤔

also whats your favorite vine/meme at the moment?🫣

Hi pip!!

I can actually show you RIGHT NOW as I keep all my outlines (for the most part) saved in their respective chapters

*added a read more post-answering bc this got LONG lol*

So, it's sometimes a bit dependent on the fic, what I'm writing at the time, and where I'm at in the process. I usually have two different methods I stick to and typically combine in some manner:

bulleted list of important scenes/ideas to expand out upon from there (typically how I start out ideas for oneshots)

big blurb paragraph of a flow of ideas from start to finish (typically how I start out chapter-based fics, and what I do for Confused Spirit)

From there, I'll then combine the two methods in some way if it's a oneshot, and if I'm struggling to get the words flowing for a chapter-based fic, I'll use the list to expand out upon things I wrote originally. For example, this was ch. 34's outline (spoilers for those who haven't read it yet):

and then the list I added once I got started properly, which I crosssed out as I went along. Fun fact, you can see where I hit a moment of greatness in that last bullet and the chapter came together as a whole from there:

the blacked out is things I've pushed back for later (or just general spoiler stuff), so you can see that inital plans and even those I make WHILE writing the chapter are still subject to change as I go into actually writing it. Another good example would be from ch. 32:

in this case, I went back and added to the original outline (I think you can tell where lmao) and didn't utilize a list

I'd love to find chekov's gun, bc that one was REALLY good if I'm remembering correctly but I think it's buried somewhere in the Dialogue Dump unfortunately 😔

Adding on to that, I write a lot of scene ideas/mainly dialogue for things that happen in the future as the ideas don't typically come to me in chronological order. the party from 33? like a month into writing the story. the team meeting Michael? mid-arc 2. Chekov's gun? the start to midway point in the first couple days of writing and then basically finished within by the middle of august (started in July for those that don't know)

My point being that there's a lot of things that I have saved for certain arcs/plot points that I then insert into their proper place in the story once I find where that is. For arc 3 in particular I took the approach of gathering all the dialogue i KNOW was going to be in the arc, wrote my lil blurbs for all the chapters, and then started placing them accordingly. stuff has (and probably will continue to) gotten shuffled around, but for the most part has stayed in their original places.

a rough rough draft beyond that is basically adding to those base scene ideas (sometimes in order, sometimes not) typically writing dialogue and then filling in the blanks from there! sometimes if I'm lucky I can write a chapter from (mostly) start to finish in a span of four hours or so but that's only when i'm REALLY cookin'

Sorry for the super long winded response, didn't realize how much I wrote until I did it 😅

TL;DR, blurb of ideas, organize those ideas/add to them or adjust, full send it from there (with the potential help of some dialogue along the way)

As for my fav vine/meme currently? Probably the lump fish guy, everytime someone says 'very mindful, very demure' (I am not on tiktok so I do NOT understand this one) I instantly think 'very beautiful, very powerful'

thanks so much for the lovely ask!!! <3 <3 <3

[becasbelt]

uh. did anyone else suddenly just lose a shit ton of followers today

[bdoubleowo]

i do not get the insistence that tumblr sexymen “gotta be pathetic” like. not. really??? bill cipher and sans undertale, classic sexymen who are known for being incredibly overpowered. wheatley and onceler, characters who started off a litte/very pathetic and grew to be overpowered. There is perhaps an aspect of patheticness, especially angst, but they tend to have genuine power behind it.